Sunday, 25 November 2012

Do It In Style With Nextiles

The moment I set my eyes on Suchismita Dasgupta's Nextiles saris, I instantly fell in love with them. Succumbing to the vibrant colours and stylish juxtaposition of contrast, I wanted all of them. So will you  when you see them. And hold on, she even has a great variety of garments for both men and women. Nextiles derives its name from Natural Textiles. Whether you like brights or pastels-- you will surely find something at Nextiles, that specialises in hand woven and hand embroidered textiles.

Very Talented Suchismita

Matka Jamdani with checkered pallu

After her graduation, Suchismita bagged a Diploma in Brand Building Communication. She then stepped into  the world of advertising and started her career at McCann Erickson, Kolkata with Art Direction and Print Production.

 But she was destined to do something more challenging. And her flair for recreating something sublime from a mundane piece of textile caught the attention of many and thus Suchismita made forays into the houses of international brands like Armani, DKNY, Kenzo, Dries van Noten, Sonia Rykiel, Etro etc. Meanwhile, her work with NGOs while designing their communication materials, brought her closer to artisans. This led her to start Nextiles in 2004 to give shape to her vision and cater to those who believed in style over fashion and shared her passion for natural textiles.

 Suchismita's Nextiles is not just a brand or a boutique; an organisation dedicated to offer the best quality natural fibres and transform the lives of traditional Indian artisans. She dreams of a world free of mass produced designs, a fair share to the artisans and predicting the styles of tomorrow.

              Suchismita was chosen to participate in the Artist in Residence programme arranged by the Ministry of Cultural Affairs of the French Embassy in India in 2005, where she researched  Art Nouveau in France and looked into the possibility of using them in textiles.


            In 2006, she took part in the Ethical Fashion Show in Paris, France, where her prime focus was on recycling natural fibres/textiles and she exhibited a collection dedicated to Art Nouveau using traditional Indian hand embroidery and block printing.

          Presently retailing from Kolkata, Suchismita has taken part in a number of national exhibitions, fashion shows and designed costumes for films. You can also buy her items through her facebook page or through emails at :
           She will soon launch her range of accessories and jewellery to complement her exquisite range of textiles. I wish Suchismita tonnes of success and happiness in all her endeavour.


Monday, 19 November 2012

The Art and Craft of Kalamkari

Kalamkari painting
Mirror with Kalamkari frame: DWARAKA

Kalamkari has of late caught my fancy. I have started my collection with a bag from Fabindia. And then rediscovered two gorgeous Kalamkari pieces of textiles that I had bought from Mahua Sarkar Sen.She works with Kalamkari Gurus & Award winners. My quest finally led me to some more designers who are rediscovering and propagating this art form.

   The word Kalamkari or Qalamkari has been derived from the Persian words kalam(pen) and kari(craftsmanship), meaning drawing with a pen. It involves hand painting as well as block printing with vegetable dyes. Kalamkari art has evolved over the last 3000 years mainly in two villages of Andhra Pradesh-- Srikalahasti, 80 miles north of Chennai near Tirupati and Masulipatnam, 200 miles east of Hyderabad. 
    Both centers have a distinct style of Kalamkari. The art evolved under the patronage of the Mughals and Golconda Sultanate. There are two styles of Kalamkari -- Srikalahasti and Machilipatnam.

Buddha in Kalamkari by Anupama Swaminadhan
Geometric Kalmkari by Anupama

     In Srikalahasti, artists make free-style drawings and fill them with  natural dyes. Traditionally, this type of paintings were found on the scrolls, temple hangings and chariot banners and the themes constituted mythological figures. But now kalamkari can be found on saris, tunics, lampshades, bags etc. Smt Kamaladevi Chattopadhay, the first Chairperson of All India Handicrafts Board, popularised this art to the present form. 

 Kalamkari Dupatta : Mahua Sarkar Sen

   There are seventeen painstaking steps of dyeing in Kalamkari. In ancient times, groups of singers, musicians and painters, called chitrakattis, moved village to village to depict the great stories of Hindu Mythology.

Kalamkari bags by Tota Myna: Shopo
Dupatta by Jas: Shopo

 Here are some more beautiful kalamkari works and a few designers who are working towards  popularising it.

Angikam by Kuchipudi dancer Banasri Rao

Banashri Rao:The Hindu
Renowned Kuchipudi dancer Banasri or Vanashree Rao was often complimented for her designer blouses and exquisite saris. This prompted her to launch her label Angikam to propagate the Kalamkari art.

       A Padmashri recipient for her contribution to Kuchipudi dance form, Banasri's Kalamkari designs are a unique blend of classic and contemporary styles. During her frequent visits to Tirupati, she was introduced to the traditional craft of block and hand painting, which eventually prompted her to create her own designs.
         "I put my aesthetic sense to use," Banasri, a former lecturer of philosophy, claims. She says that feeling beautiful is of utmost importance for her, and she hopes that her collection will have a similar effect on her customers.
    Her concept blouses and dupattas are being sold at Kamala (Crafts Council of India’s store), Kolkata, and Paddakam, at Santusti, Delhi.
    Banasri also gives new life to old saris by combining two or more saris a client may give her, and,creates a new sari with appliqué work and embroidery.

Banasri in her creation: India Today


A Kalamkari Blouse: Telegraph

Banasri and her dancer husband Jayarama Rao

The couple performing on stage


Mora by ex-media professional Ritika Mittal

Ritika Mittal of Mora
 This how Mora describes itself: From the mesmerisingly delicate wiles of Naga Eri silk to the intricate playfulness of Maharashtrian Warli, bordered and splashed with the voluptuous bold beauty of Andhra Kalamkari, all of Mora’s textile creations are a jigsaw puzzle of all-natural motifs, colours and textures from the remotest corners of India: a contemporary ode to the magical contradictions and mind-boggling variety of the country’s ancient art.

    Brainchild of Ritika Mittal, who wanted a break from her hectic schedule as a Supervising Producer for a television channel and was looking for something unique non-bling stuff for her own trousseau, 
    Each Mora piece is one-of-a-kind. Here are some kalamkari pieces from Mora. They have many more in their treasure trove.



Mora on Facebook

Asmita Marwah
Asmita Marwah
Asmita Marwah

Asmita Marwah
Sasikant Naidu

By Sashikant Naidu

Hand painted textiles from Sri Kalahasti, Andhra Pradesh